Fail:Michel Sittow - Portrait of Diego de Guevara (?) - Google Art Project.jpg

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Michel Sittow: Portrait of Diego de Guevara (?)

Kunstnik

Michel Sittow (ca. 1469 date QS:P,+1469–00–00T00:00:00Z/9,P1480,Q5727902 –1525)
Teised nimed	Master Michel, Master Michiel, Michel Sitau, Michiel Sitau, Miguel Sitau, Michel Sithium, Michiel Sithium, Miguel Sithium, Michel Sittow, Miguel Sittow, Michel Sydu, Michiel Sydu, Miguel Sydu, Michel Syttow, Michiel Syttow, Miguel Syttow, Michel Zittoz, Michiel Zittoz, Miguel Zittoz, Michel Zyttow, Michiel Zyttow, Miguel Zyttow, Michiel Flamenco
Kirjeldus	Eesti maalikunstnik ja joonistaja
Sünni- ja surmakuupäev	1459 ja 1479 vahel date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1459-00-00T00:00:00Z/9,P1326,+1479-00-00T00:00:00Z/9	21. detsember 1525 ja 24. detsember 1525 vahel date QS:P,+1525-12-00T00:00:00Z/10,P1319,+1525-12-21T00:00:00Z/11,P1326,+1525-12-24T00:00:00Z/11
Sünni- ja surmakoht	Reval, today Tallinn	Reval, today Tallinn
Töökoht	Brugge (ca. 1485-1489), Hispaania (1492-1502), Netherlands (1502-ca. 1505 date QS:P,+1505-00-00T00:00:00Z/9,P1480,Q5727902 ), England (1505) (?), Brabant (ca. 1505 date QS:P,+1505-00-00T00:00:00Z/9,P1480,Q5727902 ), Reval (1506-1525)
Normandmed	: Q372203 VIAF: 13103793 ISNI: 0000000080928183 ULAN: 500025374 LCCN: n80049338 GND: 11879745X WorldCat

Details on Google Art Project

Pealkiri

Diego de Guevara portree (?)

Objekti tüüp

maal

Žanr

portree

Kujutatud isikud

Diego de Guevara

Kuupäev

ca. 1515-1518

Tehnika

õlimaal tammel

Mõõtmed

kõrgus: 33,6 cm; laius: 23,7 cm

Kogu

National Gallery of Art

	Kohalik nimetus	National Gallery of Art, Washington DC
	Asukoht	Washington, Ameerika Ühendriigid
	Koordinaadid	38° 53′ 29″ N, 77° 01′ 12″ W
	Asutatud	17. märts 1941
	Veebisait	www.nga.gov
	Normandmed	: Q214867 VIAF: 3064149198328574940008 ISNI: 0000000123753994 ULAN: 500115983 Open Library: OL449901A LCCN: n79054426 WorldCat

Praegune asukoht

not on view translate

Inventarinumber

1937.1.46

Omandilugu

Probably Don Diego de Guevara [d.1520], Brussels; probably heirs of Don Diego de Guevara.^[1] Probably Mencía de Mendoza, Marchioness of Zenete [d. 1554], third wife of Hendrik III of Nassau and subsequently wife of Fernando de Aragon, Duke of Calabria and viceroy of Valencia, castle of Ayora, province of Valencia.^[2] Infante Don Sebastián Gabriel de Borbón y Braganza [d. 1875], Pau; heirs of Don Sebastián Gabriel de Borbón y Braganza, Pau, 1876.^[3] Mme. Maurer, Madrid, by 1915.^[4] (Leo Blumenreich, Berlin).^[5] (P. & D. Colnaghi, Ltd., London, 1929). (M. Knoedler & Co., London and New York, 1929 1930);^[6] purchased March 1930 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 28 December 1934 to The A. W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.

↑ J.K. Steppe, "Het overbrengen van het hart van Filips de Schone van Burgos naar de Nederlanden in 1506 1507," Biekorf. Westvlaams Archief 82 (1982), 217 218, notes that there was a dispute over the estate of Don Diego because he had made two wills. The beneficiary of the first will was his half brother Pedro de Guevara and of the second his illegitimate son Felipe de Guevara, still a minor at the time of his father's death. Professor Steppe also states that the diptych now divided between Berlin and Washington was acquired by Mencía de Mendoza through the agency of Don Pedro. In a letter of 20 October 1981, Steppe notes that he has found the will of Don Diego (in NGA curatorial files; see also Steppe 1982 [as above], 214 215, n. 7). Steppe's publication of this and other documents related to Diego de Guevara and his circle is anticipated with the greatest interest by students of early sixteenth century patronage.
↑ Inventories of 1548 and 1554. Archivo del Palau, Barcelona, Marquesado del Zenete, Legajo 122, inventory of 1548, "Item, un retablico pequenyo de dos tablas; en la una esta una pintura de Nuestra Señora con su hijo en brassos y en la otra don Diego de Guevara con una ropa enforrada..., tiene la pintura todo a la redonda una orla de ora; tiene de alto la pintura media vara y de ancho las dos tres palmos e medio"; see J.K. Steppe, "Jheronimus Bosch. Bijdrage tot de historische en de ikonografische studie van zijn werk," in Jheronimus Bosch. Bijdragen bij gelegenheid van de herdendstentoonstelling te 's Hertogensbosch, (Eindhoven, 1967), 39, n. 80; and Steppe 1982 (as in n. 1 above), 218, n. 17, in which the entry from the inventory taken after Mencía's death is also quoted, "Item un retaule ab dos portes, en la una porta esta pintada la verge Maria ab son fill in los brasos y en laltra esta pintada don Diego de Guevara ab una roba forrada de pells." Apparently an artist's name was noted in these inventories only when it could be read on the work itself; see Steppe 1967, 13. These inventories have not been published in their entirety. Mencía de Mendoza's heir was Don Luis de Requesens [d. 1576].
↑ [Catalogue abrégé des tableaux exposés dans les salons de l'ancien asile de Pau appartenant aux héritiers de feu Mgr l'Infant don Sébastien de Bourbon et Bragance (Pau, 1876), 71, no. 631, as by Holbein. Catalogue located with the help of Nicole Reynaud]
↑ See Max J. Friedländer, "Ein neu erworbenes Madonnenbild im Kaiser Friedrich Museum," Amtliche Berichte aus den königl. Kunstsammlungen 36 (1915), 179; and Francisco Javier Sánchez Cantón, "El retablo de la Reina Católica," Archivo Español de Arte y Arqueología 6 (1930), 117.
↑ Max J. Friedländer, "Neues über den Meister Michiel und Juan de Flandes," Der Cicerone 21 (1929), 254.
↑ The Getty Provenance Index lists the Matthiesen Gallery as having the painting until 1928, with the remark, "Source: PI: Colnaghi's". For Colnaghi, it gives the dates of ownership as 1928 1929, remarking, "from Matthiesen; joint account; Colnaghi's bought Matthiesen's remaining half share 1929/Source: PI: joint ownership from Colnaghi's." And for Knoedler's it notes, "from Colnaghi's; joint account; sold by Knoedler's in New York/Source: PI: joint ownership from Knoedler's and Colnaghi's."|height = 336

Annetusmärge

Andrew W. Mellon Collection

Märkused

More info at museum site

Viited

Allikas/Fotograaf

xgGC2ScaomLuSQ at Google Cultural Institute maximum zoom level


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Faili ajalugu

Klõpsa kuupäeva ja kellaaega, et näha sel ajahetkel kasutusel olnud failiversiooni.

	Kuupäev/kellaaeg	Pisipilt	Mõõtmed	Kasutaja	Kommentaar
viimane	10. oktoober 2012, kell 10:29		3421 × 4831 (5,94 MB)	DcoetzeeBot	=={{int:filedesc}}== {{Google Art Project \|commons_artist={{Creator:Michel Sittow}} \|commons_title= \|commons_description= \|commons_date= \|commons_medium= \|commons_dimensions= \|commons_institution= \|commons_location= \|commons_references= \|commons_object...

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Seda faili kasutavad järgmised 2 lehekülge:

Globaalne failikasutus

Järgmised muud vikid kasutavad seda faili:

Faili kasutus vikis de.wikipedia.org
- Luchsfell
Faili kasutus vikis el.wikipedia.org
- Μίχαελ Σίττοβ
Faili kasutus vikis en.wikipedia.org
Faili kasutus vikis fa.wikipedia.org
- مایکل سیتوف
Faili kasutus vikis fi.wikipedia.org
- Michel Sittow
Faili kasutus vikis fr.wikipedia.org
- Les Époux Arnolfini
- Michel Sittow
Faili kasutus vikis hi.wikipedia.org
- डिएगो डे ग्वेरा
Faili kasutus vikis it.wikipedia.org
- Michael Sittow
- Diego de Guevara y Quesada
Faili kasutus vikis nl.wikipedia.org
- Gebruiker:RonnieV/Lijst van personen overleden op 21 december
- Gebruiker:RonnieBot/afbeeldingen 37 500
Faili kasutus vikis sv.wikipedia.org
- Michael Sittow
Faili kasutus vikis uk.wikipedia.org
- Міхель Зіттов
Faili kasutus vikis www.wikidata.org

[1] J.K. Steppe, "Het overbrengen van het hart van Filips de Schone van Burgos naar de Nederlanden in 1506 1507," Biekorf. Westvlaams Archief 82 (1982), 217 218, notes that there was a dispute over the estate of Don Diego because he had made two wills. The beneficiary of the first will was his half brother Pedro de Guevara and of the second his illegitimate son Felipe de Guevara, still a minor at the time of his father's death. Professor Steppe also states that the diptych now divided between Berlin and Washington was acquired by Mencía de Mendoza through the agency of Don Pedro. In a letter of 20 October 1981, Steppe notes that he has found the will of Don Diego (in NGA curatorial files; see also Steppe 1982 [as above], 214 215, n. 7). Steppe's publication of this and other documents related to Diego de Guevara and his circle is anticipated with the greatest interest by students of early sixteenth century patronage.

[2] Inventories of 1548 and 1554. Archivo del Palau, Barcelona, Marquesado del Zenete, Legajo 122, inventory of 1548, "Item, un retablico pequenyo de dos tablas; en la una esta una pintura de Nuestra Señora con su hijo en brassos y en la otra don Diego de Guevara con una ropa enforrada..., tiene la pintura todo a la redonda una orla de ora; tiene de alto la pintura media vara y de ancho las dos tres palmos e medio"; see J.K. Steppe, "Jheronimus Bosch. Bijdrage tot de historische en de ikonografische studie van zijn werk," in Jheronimus Bosch. Bijdragen bij gelegenheid van de herdendstentoonstelling te 's Hertogensbosch, (Eindhoven, 1967), 39, n. 80; and Steppe 1982 (as in n. 1 above), 218, n. 17, in which the entry from the inventory taken after Mencía's death is also quoted, "Item un retaule ab dos portes, en la una porta esta pintada la verge Maria ab son fill in los brasos y en laltra esta pintada don Diego de Guevara ab una roba forrada de pells." Apparently an artist's name was noted in these inventories only when it could be read on the work itself; see Steppe 1967, 13. These inventories have not been published in their entirety. Mencía de Mendoza's heir was Don Luis de Requesens [d. 1576].

[3] [Catalogue abrégé des tableaux exposés dans les salons de l'ancien asile de Pau appartenant aux héritiers de feu Mgr l'Infant don Sébastien de Bourbon et Bragance (Pau, 1876), 71, no. 631, as by Holbein. Catalogue located with the help of Nicole Reynaud]

[4] See Max J. Friedländer, "Ein neu erworbenes Madonnenbild im Kaiser Friedrich Museum," Amtliche Berichte aus den königl. Kunstsammlungen 36 (1915), 179; and Francisco Javier Sánchez Cantón, "El retablo de la Reina Católica," Archivo Español de Arte y Arqueología 6 (1930), 117.

[5] Max J. Friedländer, "Neues über den Meister Michiel und Juan de Flandes," Der Cicerone 21 (1929), 254.

[6] The Getty Provenance Index lists the Matthiesen Gallery as having the painting until 1928, with the remark, "Source: PI: Colnaghi's". For Colnaghi, it gives the dates of ownership as 1928 1929, remarking, "from Matthiesen; joint account; Colnaghi's bought Matthiesen's remaining half share 1929/Source: PI: joint ownership from Colnaghi's." And for Knoedler's it notes, "from Colnaghi's; joint account; sold by Knoedler's in New York/Source: PI: joint ownership from Knoedler's and Colnaghi's."|height = 336

[1]

[2]

[3]

[4]

[5]

[6]

Fail:Michel Sittow - Portrait of Diego de Guevara (?) - Google Art Project.jpg

Lühikirjeldus

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Portrait of Diego de Guevara (?) ^inglise

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Portrait of Diego de Guevara (?) ^inglise

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Portrait of Diego de Guevara (?) ^inglise

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Portrait of Diego de Guevara (?) inglise

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Portrait of Diego de Guevara (?) inglise

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Portrait of Diego de Guevara (?) ^inglise